Yngwie Malmsteen - Perpetual Flame
Release: October 2008
Style: Neo-classical Heavy Rock
For Fans Of...
AOG User Rating
Website
There has been much banter on the internet about the laughable cover of the sacred Yngwie’s latest opus ‘Perpetual Flame’. If only photoshop could be applied to music so easily, to make it sound young and fresh.
It’s no secret how much I respect and constantly defend Count Malmsteen, but on this occasion, he’s on his own. ‘Perpetual Flame’ is all of your least favourite Malmsteen tracks on one CD. The poor lyrical content is highlighted even more this time round because the music is so weak. Maybe I shouldn’t review this album at all, but I figured that it would be more entertaining to write about than the new Tesla album, which is fairly good (if a little bland), but way better than this and probably even better than the new AC/DC album as well. (If you're interested, it’s called ‘Forever More’, it's not bad, is released in November, but comes nowhere near to their first three albums).
Overview!
Since the late 80’s, song-writing has never really been Yngwie’s
strongpoint and this opinion is spectacularly summed up here. This is
such a shame, as his previous affair ‘Unleash The Fury’, featured some
fantastic tracks and the future then looked way brighter than this
sudden darkness.
Amazingly for yet another album self-produced by Yngwie, the guitars
are still muddy and lost far too frequently. His ego seems to act in
reverse when it comes to pushing the fader with ‘YJM Solo’ chinagraphed
beneath it. Think back to Nuno Bettencourt’s production of ‘III Sides
To Every Story’ – now that is how an album should sound when produced
by the lead guitar player!
Tim Owens sounds pretty good (if you like battle metal vocals), but all
credit is lost by him agreeing to sing such absurd lyrics. Yngwie’s guitar
playing is as exceptional, but predictable as always. There are some
blistering solos in the style of himself, but he has also run out of
decent musical-bed ideas to blister over the top of. This was once part
of his magic - the dramatic key change smothered by a stupendous solo
and repeat to end…
Conclusion
My wife just said to me as she walked passed my office, “This is the
sort of music that puts people off heavy rock…” Well, that’s her
take and she’s not wrong.
Not to be confused with Jason Becker’s ‘Perpetual Burn’.
- Login or register to post comments
- Rory Sullivan
