So. If you've read all of my columns so far you should be able to get some inside / outside sounds over some popular minor and dominant progressions. It's ok to play pre determined licks, but I like to use any harmonic improvisational device as I would speak. In this instalment we'll look at some ways to get familiar with the 'sounds of the outside' by creating excercises and by extending our phrase ideas.
I recently played on the alloutguitar. com stand at the London music show, where I had a few people come up to me and asked:
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